Vice-President, Monumental Brass Society; Fellow of the Society of Antiquaries

Publications, Links, and Resources

‘Die Ikonographie des Salvator Mundi’, in Linien zwischen Erde und Himmel: Abriebe Europäischer Grabplatten des 13. bis 17. Jahrhunderts, ed. Klaus Krüger and Holger Kunde (Petersberg, 2015), pp. 31-37.

'The Lost Brass of Richard Lyons', Transactions of the Monumental Brass Society, XIII, pt. 3 (1982), pp. 232-236.

'Nicholas Charles's Notes on Cudham and Downe', Archaeologia Cantiana, XCIX (1983), pp. 109-114.

'The Botdrager and some other helmed lions', The Coat of Arms, N.S. V, no. 128 (Winter 1983/4), pp. 221-225.

'The Particular Judgement: Two Earlier Examples of a Motif in Jan Mostaert's Lost Self-portrait', Oud Holland, XCVII (1983), pp. 125-127.

'The Cult of Prince Edward at Tewkesbury', Transactions of the Bristol and Gloucestershire Archaeological Society, CI (1983), pp. 187-189.

'John Killyngworth, alias Gloucester, "Orginmaker"', Transactions of the Monumental Brass Society, XIII, pt. 4 (1983), pp. 343-346.

'The so-called portrait of Si�n Cent', Bulletin of the Board of Celtic Studies, XXXI (1984), pp. 103-104.

'The Old Proctor's Book: A Cambridge Manuscript of c. 1390', in England in the Fourteenth Century: Proceedings of the 1985 Harlaxton Symposium, ed. W.M. Ormrod (Woodbridge, 1986), pp. 213-223.

'English Episcopal Monuments, 1270-1350', in The Earliest English Brasses: Patronage, Style and Workshops 1270-1350, ed. J. Coales (London, 1987), pp. 8-68.

'Fitzwilliam Museum MS 3-1979: A Bury St Edmunds Book of Hours and the Origins of the Bury Style', in England in the Fifteenth Century: Proceedings of the 1986 Harlaxton Symposium, ed. D. Williams (Woodbridge, 1987), pp. 229-243.

'The Earliest Known Description of the de la Mare Brass at St. Albans Abbey', Transactions of the Monumental Brass Society, XIV, pt. 2 (1987), pp. 154-157.

'The Original Owner of the Fitzwarin Psalter', Antiquaries Journal, LXIX, pt. 2 (1989), pp. 257-260.

'Ogygius and the Knight', Transactions of the Monumental Brass Society, XIV, pt. 4 (1989), pp. 273-276.

'The Waltham Abbey Relic-list', in England in the Eleventh Century: Proceedings of the 1990 Harlaxton Symposium, ed. C. Hicks (Stamford, 1992), pp. 157-181.

'The miniature of St John the Baptist in Gonville and Caius MS 241/127 and its context', Transactions of the Cambridge Bibliographical Society, X, pt. 2 (1992), pp. 125-138.

'The Artist of Trinity B.11.7 and his Patrons', in England in the Fifteenth Century: Proceedings of the 1992 Harlaxton Symposium, ed. Nicholas Rogers (Stamford, 1994), pp. 170-186.

'Oxford, University College MS. 5: A Flemish Book of Hours for a Dominican Nun', in Flanders in a European Perspective: Manuscript Illumination Around 1400 in Flanders and Abroad, ed. M. Smeyers & B. Cardon (Leuven, 1995), pp. 219-235.

'Colledge goods: 400 Years of Sidney Sussex College, exhibition gallery guide', Fitzwilliam Museum, 9 April-7 July 1996 (Cambridge, 1996).

'Brasses in their Art-historical Context', in Monumental Brasses as Art and History, ed. Jerome Bertram (Stroud, 1996), pp. 146-159.

'The Early History of Sidney Sussex College Library', in Sidney Sussex College: Historical Essays in Commemoration of the Quatercentenary, ed. D.E.D. Beales and H.B. Nisbet (Woodbridge, 1996), pp. 75-88.

'The Bury Artists of Harley 2278 and the Origins of Topographical Awareness in English Art', in Bury St Edmunds: Medieval Art, Architecture, Archaeology and Economy, ed. Antonia Gransden, British Archaeological Association Conference Transactions, 20 (London, 1998), pp. 219-227.

'Monuments to Monks and Monastic Servants', in Monasteries and Society in Medieval England: Proceedings of the 1994 Harlaxton Symposium, ed. Benjamin Thompson (Stamford, 1999), pp. 262-276, pls. 40-42.

(with Lynda Dennison), 'The Elsing Brass and its East Anglian Connections', in Fourteenth Century England, I, ed. Nigel Saul (Woodbridge, 2000), pp. 167-193.

'Some Curiosa Hagiographica in Cambridge Manuscripts Reconsidered', in The Legacy of M.R. James, ed. Lynda Dennison (Donington, 2001), pp. 194-210.

'A Bibliography of the Published Works of Montague Rhodes James', in ibid., pp. 239-267.

'Two Fifteenth-Century Polychronicons in Cambridge Collections', Transactions of the Cambridge Bibliographical Society, XII, pt. 2 (2001), pp. 185-188.

'Two Palimpsest Roundels', Transactions of the Monumental Brass Society, XVI, pt. 4 (2000-2001), pp. 362-369.

'Patrons and Purchasers: Evidence for the Original Owners of Books of Hours produced in the Low Countries for the English Market', in 'Als Ich Can': Liber Amicorum in Memory of Professor Dr. Maurits Smeyers, ed. Bert Cardon, Jan Van der Stock and Dominque Vanwijnsberghe (Leuven, 2002), pp. 1165-1181.

(with Lynda Dennison), 'A Medieval Best-Seller: Some Examples of Decorated Copies of Higden's Polychronicon', in The Church and Learning in Later Medieval Society: Essays in Honour of R.B. Dobson, Proceedings of the 1999 Harlaxton Symposium, ed. Caroline M. Barron and Jenny Stratford (Donington, 2002), pp. 80-99.

'A Catholic Interlude: Sidney Sussex College, 1687-1688', in Catholics in Cambridge, ed. Nicholas Rogers (Leominster, 2003), pp. 38-45.

'Henry VI and the Proposed Canonisation of King Alfred', in The Lancastrian Court: Proceedings of the 2001 Harlaxton Symposium, ed. Jenny Stratford (Donington, 2003), pp. 211-220.

'Scraps from Bury St Edmunds', The Ricardian, XIII (2003), pp. 408-414.

'Genealogical Information from Medieval Manuscripts in Cambridge Collections, I: The Sidney Psalter', The Escutcheon, IX, no. 1 (2003), pp. 2-6.

'"Et expecto resurrectionem mortuorum": Images and Texts relating to the Resurrection of the Dead and the Last Judgement on English Brasses and Incised Slabs', in Prophecy, Apocalypse and the Day of Doom: Proceedings of the 2000 Harlaxton Symposium, ed. Nigel Morgan (Donington, 2004), pp. 342-355.

(with Nigel Morgan), 'Manuscripts and Documents for Cambridge University', in The Cambridge Illuminations: Ten Centuries of Book Production in the Medieval West, ed. Paul Binski and Stella Panayotova (London, 2005), pp. 363-369.

'"Hic Iacet": The Location of Monuments in Late Medieval Parish Churches', in The Parish in Late Medieval England: Proceedings of the 2002 Harlaxton Symposium, ed. Clive Burgess and Eamon Duffy (Donington, 2006), pp. 261-281.

'From Alan the Illuminator to John Scott the Younger: Evidence for Illumination in Cambridge', in The Cambridge Illuminations: The Conference Papers, ed. Stella Panayotova (London, [2007]), pp. 287-299.

'The Biographical Brass', in Recording Medieval Lives: Proceedings of the 2005 Harlaxton Symposium, ed. Julia Boffey and Virginia Davis (Donington, 2009), pp. 233-242.

'Dieu y voye: Some Late Medieval and Early Modern Instances of Divine Vision', in Signs and Symbols: Proceedings of the 2006 Harlaxton Symposium, ed. John Cherry and Ann Payne (Donington, 2009), pp. 64-72.

‘The Provenance of the Thornham Parva Retable’, in The Friars in Medieval Britain: Proceedings of the 2007 Harlaxton Symposium, ed. Nicholas Rogers (Donington, 2010), pp. 185-193.

‘The Frenze Palimpsest’, in Tributes to Nigel Morgan, ed. Julian M. Luxford and M.A. Michael (London, 2010), pp. 223-237.

'Trading Saints: Cults associated with Mercantile Activity', in The Medieval Merchant: Proceedings of the 2012 Harlaxton Symposium, ed. Caroline M. Barron and Anne F. Sutton (Donington, 2014), pp. 208-220.

‘A Pattern for Princes: The Royal Window at the Greenwich Greyfriars’, in Saints and Cults in Medieval England: Proceedings of the 2015 Harlaxton Symposium, ed. Susan Powell (Donington, 2017), pp. 318-338.

'“The Stones are all disrobed”: Reasons for the Presence and Absence of Monumental Brasses in Cambridge’, in Commemoration in Medieval Cambridge, ed. John S. Lee and Christian Steer (Woodbridge, 2018), pp. 152-164.

‘Bishop Hallum’s Brass in Konstanz Minster’, Transactions of the Monumental Brass Society, XX (2019), pp. 46-63.

‘Why St Jerome? A Note on the Iconography of the Great Berkhamsted Palimpsest, in The Monuments Man: Essays in Honour of Jerome Bertram, ed. Christian Steer (Donington, 2020), pp. 482-495.

‘Florica Ciuciu’s Evening Out’, Austria, 215 (Summer 2021), pp. 24-27.

‘Common seals? The iconography of the medieval seals of Cambridge colleges’, in Medieval Art, Architecture and Archaeology in Cambridge: College, Church and City, ed. Gabriel Byng and Helen Lunnon, British Archaeological Association Conference Transactions, XLIII (Abingdon, 2022), pp. 313-328.

 ‘The Countess seeks a Nanny’, in Austrian Philatelic Society: The first 75 years, ed. Andy Taylor (Stokesley, 2022), pp. 32-33.